Let Me Be There

This Olivia Newton-John hit from the ’70s translates perfectly as a gospel-edged pop piece for today’s choirs. There’s a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There’s a brief hand clapping a cappella section as the piece builds toward the big finish. Includes parts for alto sax., tenor sax., trumpet, trombone, and rhythm.